Started by Aryzen, May 19, 2015, 03:27:39
QuoteAlso, I do wonder why the transpose defaults to F#7... It sounds correct, but it doesn't make sense...
Quote((Actually, C-0 sample keeps disappearing... If I save and reload, that sample disappears...))
QuoteIt is also not very clever (read: natural-sounding) to change the sample at C-5, C-6, C-7... because that means that your samples will only ever get pitched up. If you choose the split points at F#5, F#6, F#7... instead, the samples will get pitched up and down equally, meaning that their playback frequency does not deviate from the original frequency as much.
Quote from: Aryzen on May 20, 2015, 04:23:20So, if my sample splits at F#, the change would not be so jarring? Also, does this apply to the .IT format as well?
QuoteNote that one sample per octave is still pretty "lo-fi" for a natural-sounding piano