Klingon Opera Overture (17et)

[uncloned]

This an improvisation with layered software synthesizers. Specifically, various percussion ensembles, french horn, piano, and two synthesizers. At one point I forgot what in the world I was doing because I transposed the arpeggio synth down 12 notes when I meant it to be an octave - which would mean 17 notes of course.

I like how alien it sounds in places and that aspect I will follow up because that is truly the microtonal music I wish to compose.

Download  - 14 megabytes.

http://micro.soonlabel.com/17-ET/daily20110109-albino-17et.mp3

Online play

http://chrisvaisvil.com/?p=422

[Oliwerko]

It took me a while to get used to the sound for I don't listen to this kind of experimental music much.

The ending is great. And I particularly like the part at 2:25.

Well done, it's always nice to listen to something that's totally different from...anything there is 

[uncloned]

Thanks for the listen and comment!

[KrazyKatz]

This is pretty cool stuff man. Enjoyed the listen.

[Louigi Verona]

This is interesting stuff, though in my opinion too thoughtful for a Klingon.

[uncloned]

thank you both for the listen and comments

@Louigi = they opera comes from the same Klingon famliy who wrote Shakespeare.

[Saga Musix]

I liked the soundscape, but I can definitely say that I don't really like 17et...

[uncloned]

I don't know how to respond considering the soundscape, in fact all of the notes, are in 17 et.

[Saga Musix]

Well, there are many nice sounds and instruments in this track, but for me the 17 et tuning destroys this mood. But that's of course just subjective, since I normally don't listen to non-12TET stuff.

[uncloned]

I still don't understand. The mood comes from being in 17et - 17et can't kill the mood since you can't destroy and create something at the same time.